PREPARING FOR THE RIVERSIDE THEATRE EXHIBITION part 2

It’s 17th January now. I’ll put my images and their states of completion here, from printing onwards. Composites Cubist Images ICM Images I think I am on schedule. I’d like to have 20 mounted images by the weekend, so I just have to mount those cubist images. I’m still reading, creating and thinking too. I… Continue reading PREPARING FOR THE RIVERSIDE THEATRE EXHIBITION part 2

Melting Pot update

I decided to check in with the Artcetera gallery in case I missed the call for their spring exhibition Hi David, No dates have been set yet.  I’ll give you a shout when I have more information. Kind regards  Olivier  Olivier Martin  Chairperson ArtCetera Studio  43 b Rosemary Street  BT 1 1QB Mail : olivier@artceterastudio.com Tel… Continue reading Melting Pot update

Preparing for the Riverside Theatre exhibition

The exhibition doesn’t take place until the beginning of March, and Module 3 of the MA starts towards the middle of February, so I have been using December to check out frames (still doing that, although I have around 30 from my last exhibition), collect paper and ink, and tidy up my working area. My… Continue reading Preparing for the Riverside Theatre exhibition

Bookends

‘Lessons’ and ‘The Sense of an Ending’ are the two books that bookended the second module, MA1.2, of the MA for me. Both gave insights on the fragility of memory and expressed it in different ways. The quote I first picked from ‘Lessons’, reading it on the train on the journey home from Berlin in… Continue reading Bookends

Prime

Sometimes I get excited by the theme of an exhibition or a call for papers, but then I see it’s restricted to artists under 25 or otherwise age restricted. Fair enough, they do need a leg up, but maybe the competition could be divided into separate categories. This time however, the restriction was in my… Continue reading Prime

Art and its Audience

Marcel Duchamp stated in a lecture in 1957, “The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.” (Duchamp, 1975) p. 138–140.  Clearly he considered the art to… Continue reading Art and its Audience